Suggested Supplies

Suggested Supplies

What supplies might we need or want?

We will be focussing on ink and watercolour techniques in this class, but my style of sketching is loose and approachable - requiring only a small selection of supplies.

As such, the required and suggested supplies are quite minimal and very flexible.

These are my watercolours all swatched out - you can find out more about them in the handout, and in the links below.

Minimum Suggested Supplies

  • Surface - student grade watercolour paper, 300gsm (140lbs) in weight, A4 (UK) or Letter (USA) in size. I prefer cold pressed paper. This paper might be in loose sheets, or in a sketchbook - either is fine

  • Drafting implement - any pencil, any eraser

  • Sketching implement - a waterproof fineliner, or a sketching fountain pen (a cheap option is a 'Platinum Preppy'). Look for the words 'permanent' or 'waterproof' on the fineliner.

  • Ink - A waterproof ink, such as platinum carbon X ink.

    • Important note here - not all waterproof inks are fountain pen safe. I have written a blog here about the inks I use - CLICK HERE.

  • Watercolour paints - a student grade starter set is an affordable option and plenty to get started.

  • Watercolour brush - as a minimum, I would suggest student grade size 6 and 12 round brushes. These sizes are approximate and just a guideline.

Recommended Supplies

  • Surface - Professional grade watercolour paper, cold pressed, 300-450gsm (140-200lbs), A4/Letter in size, 100% cotton. My preference is for sketching on gummed 'blocks' of watercolour paper

  • Drafting implement - a 0.5mm mechanical pencil, such as a Rotring Tikki, and a putty eraser

  • Sketching implement - my favourite is a fine tipped LAMY Safari fountain pen

  • Ink - A waterproof ink, such as platinum carbon X ink

    • Important note here - not all waterproof inks are fountain pen safe. I have written a blog here about the inks I use - CLICK HERE.

  • Watercolour paints - 5-6 professional grade pigments is more than enough.

    • If I were to choose an absolute minimum palette for me it would be cobalt blue, hansa yellow medium, scarlet lake as my three primary colours, one of quinacridone sienna or quinacridone gold as lovely warm colours, and two from indigo or Paynes grey or moon glow or sepia as tonal/value colours.

  • Watercolour brush - adding a 1 inch flat brush to your collection is helpful for some of the 'direct watercolour' effects we'll be using

Other supplies

Through the course we'll make use of a few other things that you might want to experiment with.

These include wax, salt, spray bottles, tissues, towels, and lots more little everyday type objects.

Advancing Tone, Value and Colours

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Introduction

  • Introducing the Course39
  • Aims of this Course6
  • Can I do THIS course first?
  • How long does it take? How long do I have to complete it?16
  • Suggested Supplies32
  • How to Post Photos and Ask Questions10
  • How to get the best video quality2
  • When should you do the challenges? Before or after watching the videos?2
  • Download the full handout here9

What do you hope to achieve?

  • Sharing my progress!318

Introduction to Tone and Value

  • What is Value? And the importance of hatching!160
  • Water Control42
  • Tone and Value with Watercolours111
  • Warm Up - A Still Life568
  • Challenge Part 1357
  • Challenge Part 2 - Adding colour536
  • How did you find that workshop?219

First Steps in Colour Theory

  • Colour Theory - How it applies to the 'SketchLoose' style38
  • Watercolour Mixes117
  • Applying Colour Schemes - Thumbnail Sketching387
  • Challenge Video - Complementary Sketching448
  • How did you find that workshop?186

Watercolour Washes and Variation

  • Paper Matters77
  • Varying Your Washes137
  • Waterbridges - Getting flow in your sketch286
  • Warming Up - Thumbnail Skies278
  • Variation in Practice - Painting Skyscapes460
  • Challenge Video - Variation in Watercolours398
  • How did you find that workshop?173

Direct Watercolours - A Different Technique

  • Sketching from a Splash374
  • Soften those Edges57
  • Direct Still Life385
  • Our Challenge - Simply Shapes105
  • Step One - Loose Shapes154
  • Step Two - Bolder Colours138
  • Step Three - Structure373
  • How did you find this workshop?197

Watercolour Effects

  • How to Approach this Workshop9
  • STOP painting ... At the right time318
  • Key Effect - Granulation95
  • Key Effects - Cauliflowers and Blooms64
  • Key Effects - Splashes, Huffing and Puffing93
  • Extra Effects - Wax and Salt77
  • Extra Effects - Lifting, Spraying, Scratching55
  • Challenge Video - Incorporating Effects312
  • Bonus Challenge - Direct Watercolours221

Conclusion and Next Steps

  • Have we met our sketching objectives?176
  • Come join me in person!
  • Next steps you could take!48